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A daily poem (Mon-Thur) that I recite for the residents of Center Community of Brookline. Also, occasional pieces about Torah, hearing loss, music, and other topics.
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Why Are Your Poems so Dark?
In the Shadows
by Rami Shapiro
I live my life in the shadows:
shadows of doubt,
shadows of regret,
shadows of guilt,
shadows of half baked ideas
and overcooked ones.
There is nothing wrong
with living in the shadows.
Living in the dark, however,
is something else.
Living in the shadows
you know there is light.
Living in the dark
you know nothing of light.
Living in the shadows
you can always walk
toward the light.
Living in the dark
there is no light
toward which to walk.
Assist those who
live in the shadows.
Resist those who
live in the dark.
Open your eyes to the four streams
by Rumi, translated by Haleh Liza Gafori
Listen to an interview with the translator here.
Open your eyes to the four streams
flowing through you-
water, milk, honey, wine.
Pay no attention to what gossips say.
They call the wide-eyed flower jasmine.
They call the wide-eyed flower a thorn.
The wide-eyed flower doesn't care what they call it.
I Adore that freedom. I bow to it.
Some say you worship fire.
Some say you follow scripture.
What do they know?
Labels blind and tear us apart.
Your eyes are not a vulture's beak.
See through the Beloved's eyes.
See one when your mind says two.
The angels adore your Love-drunk eyes.
Open them
and dismiss the vicious judge
from the post you gave him.
Bow to a human
and greet the angel.
(Here's another version I found on the internet--always interesting to compare translations from languages I do not read!)
I found reference to this poem in a provocative blog post by rabbinical student and S'vara Fellow Kendra Watkins. You can find their essay here.
the earth is a living thing
Lucille Clifton - 1936-2010
is a black shambling bear ruffling its wild back and tossing mountains into the sea
is a black hawk circling the burying ground circling the bones picked clean and discarded is a fish black blind in the belly of water is a diamond blind in the black belly of coal is a black and living thing is a favorite child of the universe feel her rolling her hand in its kinky hair feel her brushing it clean
by Billy Collins
This morning as I walked along the lakeshore,
I fell in love with a wren
and later in the day with a mouse
the cat had dropped under the dining room table.
In the shadows of an autumn evening,
I fell for a seamstress
still at her machine in the tailor’s window,
and later for a bowl of broth,
steam rising like smoke from a naval battle.
This is the best kind of love, I thought,
without recompense, without gifts,
or unkind words, without suspicion,
or silence on the telephone.
The love of the chestnut,
the jazz cap and one hand on the wheel.
No lust, no slam of the door –
the love of the miniature orange tree,
the clean white shirt, the hot evening shower,
the highway that cuts across Florida.
No waiting, no huffiness, or rancor –
just a twinge every now and then
for the wren who had built her nest
on a low branch overhanging the water
and for the dead mouse,
still dressed in its light brown suit.
But my heart is always propped up
in a field on its tripod,
ready for the next arrow.
After I carried the mouse by the tail
to a pile of leaves in the woods,
I found myself standing at the bathroom sink
gazing down affectionately at the soap,
so patient and soluble,
so at home in its pale green soap dish.
I could feel myself falling again
as I felt its turning in my wet hands
and caught the scent of lavender and stone.
Why, who makes much of a miracle?
As to me I know of nothing else but miracles,
Whether I walk the streets of Manhattan,
Or dart my sight over the roofs of houses toward the sky,
Or wade with naked feet along the beach just in the edge of the water,
Or stand under trees in the woods,
Or talk by day with any one I love, or sleep in the bed at night with any one I love,
Or sit at table at dinner with the rest,
Or look at strangers opposite me riding in the car,
Or watch honey-bees busy around the hive of a summer forenoon,
Or animals feeding in the fields,
Or birds, or the wonderfulness of insects in the air,
Or the wonderfulness of the sundown, or of stars shining so quiet and bright,
Or the exquisite delicate thin curve of the new moon in spring;
These with the rest, one and all, are to me miracles,
The whole referring, yet each distinct and in its place.
To me every hour of the light and dark is a miracle,
Every cubic inch of space is a miracle,
Every square yard of the surface of the earth is spread with the same,
Every foot of the interior swarms with the same.
To me the sea is a continual miracle,
The fishes that swim—the rocks—the motion of the waves—the
ships with men in them,
What stranger miracles are there?