Monday, March 21, 2022

Poem for 3/21/22 - from “Estrangement” by W.B. Yeats

 W.B. Yeats

from “Estrangement” 


VI


My father says, ‘A man does not love a woman because he thinks her clever or because he admires her, but because he likes the way she has of scratching her head’.


VII


It seems to me that true love is a discipline, and it needs so much wisdom that the love of Solomon and Sheba must have lasted, for all the silence of the Scriptures. Each divines the secret self of the other, and refusing to believe in the mere daily self, creates a mirror where the love or the beloved sees an image to copy in daily life; for love also creates the Mask.


Friday, March 18, 2022

Poems for 3/18 - 3 Poems by Emily Dickinson

 3 Poems by Emily Dickinson

 

(341)

After great pain, a formal feeling comes –

The Nerves sit ceremonious, like Tombs –

The stiff Heart questions ‘was it He, that bore,’

And ‘Yesterday, or Centuries before’?

 

The Feet, mechanical, go round –

A Wooden way

Of Ground, or Air, or Ought –

Regardless grown,

A Quartz contentment, like a stone –

 

This is the Hour of Lead –

Remembered, if outlived,

As Freezing persons, recollect the Snow –

First – Chill – then Stupor – then the letting go –

c. 1862

(1051)

I cannot meet the Spring unmoved—

I feel the old desire—

A Hurry with a lingering, mixed,

A Warrant to be fair—

 

A Competition in my sense

With something hid in Her—

And as she vanishes, Remorse

I saw no more of Her.

c. 1865

 

(1320)

Dear March—Come in—

How glad I am—

I hoped for you before—

Put down your Hat—

You must have walked—

How out of Breath you are—

Dear March, how are you, and the Rest—

Did you leave Nature well—

Oh March, Come right upstairs with me—

I have so much to tell—

 

I got your Letter, and the Birds—

The Maples never knew that you were coming—

I declare - how Red their Faces grew—

But March, forgive me—

And all those Hills you left for me to Hue—

There was no Purple suitable—

You took it all with you—

 

Who knocks? That April—

Lock the Door—

I will not be pursued—

He stayed away a Year to call

When I am occupied—

But trifles look so trivial

As soon as you have come

That blame is just as dear as Praise

And Praise as mere as Blame—

c. 1874


Thursday, March 17, 2022

Poem for 3/17 - In Praise of My Sister by Wisława Szymborska

The first version of Szymborka's poem here was translated by Stanislaw Baranczak and Clare Cavanagh.

The version I read on the audio blog was different, translated by Magnus J. Krynski and Robert A. Maguire. You'll find that version after the first.

In Praise of My Sister

Wisława Szymborska

My sister doesn’t write poems.
and it’s unlikely that she’ll suddenly start writing poems.
She takes after her mother, who didn’t write poems,
and also her father, who likewise didn’t write poems.
I feel safe beneath my sister’s roof:
my sister’s husband would rather die than write poems.
And, even though this is starting to sound as repetitive as
Peter Piper,
the truth is, none of my relatives write poems.

My sister’s desk drawers don’t hold old poems,
and her handbag doesn’t hold new ones,
When my sister asks me over for lunch,
I know she doesn’t want to read me her poems.
Her soups are delicious without ulterior motives.
Her coffee doesn’t spill on manuscripts.

There are many families in which nobody writes poems,
but once it starts up it’s hard to quarantine.
Sometimes poetry cascades down through the generations,
creating fatal whirlpools where family love may founder.

My sister has tackled oral prose with some success.
but her entire written opus consists of postcards from
vacations
whose text is only the same promise every year:
when she gets back, she’ll have
so much
much
much to tell.


In Praise of My Sister

Wisława Szymborska


My sister does not write poems
and it's unlikely she'll suddenly start writing poems.
She takes after her mother, who did not write poems,
and her father, who also did not write poems.
Under my sister's roof I feel safe:
nothing would move my sister's husband to write poems.
And though it sounds like a poem by Adam Macedoński,
none of my relatives is engaged in the writing of poems.

In my sister's desk there are no old poems
nor any new ones in her handbag.
And when my sister invites me to dinner,
I know she has no intention of reading me poems.
She makes superb soups without half trying,
and her coffee does not spill on manuscripts.

In many families no one writes poems,
but when they do, it's seldom just one person.
Sometimes poetry flows in cascades of generations,
which sets up fearsome eddies in family relations.

My sister cultivates a decent spoken prose,
her entire literary output is on vacation postcards
that promise the same thing every year:
that when she returns,
she'll tell us, everything,
everything,
everything.

Wednesday, March 16, 2022

Poem for 3/16 - a song in the front yard (from A Street in Bronzeville) by Gwendolyn Brooks

 a song in the front yard

I’ve stayed in the front yard all my life.
I want a peek at the back
Where it’s rough and untended and hungry weed grows.   
A girl gets sick of a rose.

I want to go in the back yard now   
And maybe down the alley,
To where the charity children play.   
I want a good time today.

They do some wonderful things.
They have some wonderful fun.
My mother sneers, but I say it’s fine
How they don’t have to go in at quarter to nine.   
My mother, she tells me that Johnnie Mae   
Will grow up to be a bad woman.
That George’ll be taken to Jail soon or late
(On account of last winter he sold our back gate).

But I say it’s fine. Honest, I do.
And I’d like to be a bad woman, too,
And wear the brave stockings of night-black lace   
And strut down the streets with paint on my face.

Tuesday, March 15, 2022

Poem for 3/15/22 - One Way or Another by Maya C. Popa

 

One Way or Another

Maya C. Popa

it is you who leaves. So I set out 
to read for signs of imminence, 
the same river twice stepped in.
Morning rises gently on the harbor;
our letters come disguised as life. 
We know the score but fracture 
on fact. We sign a dotted line 
made out of promise—the pipes 
in November clanging on with heat,
the window left at night a little open. 
I love you; then what? Hands 
suddenly alive. I plead with time, 
adamant, remorseless. So we begin 
in earnest; what then? I plead 
with time, adamant, remorseless.
Hands suddenly alive. I love you; 
then what? The pipes in November 
clanging on with heat, the window 
left at night a little open. We sign 
a dotted line made out of promise—
we know the score but fracture 
on fact. Our letters come disguised 
as life; morning rises gently on 
the harbor. So I set out to read 
for signs of imminence, the same 
river twice stepped in. One way 
or another, it is you who leaves.

Copyright © 2022 by Maya C. Popa. Originally published in Poem-a-Day on March 15, 2022, by the Academy of American Poets.

Monday, March 14, 2022

Poem for 3/14 - Cloud Demolition by Willa Carroll

 

Cloud Demolition

Willa Carroll

Anvil clouds in the west.
My father dies in hospice
while I’m on the highway,
stuck in roadwork. 
Gaunt on the gurney.
Limbs impossibly still.
Mouth slightly open, 
as if surprised, as if saying 
ah! One eye half closed, 
the other looking up,
lit by a further light,
a sky in the ceiling. 
I touch his hand, barely 
cool. It’s only been 
an hour. At the elevator, 
I’m not ready to drop 
down the bright chute.
I go back. Bend & kiss
his hand. Outside, long
soft nails hammer the earth.

Copyright © 2022 by Willa Carroll. Originally published in Poem-a-Day on March 7, 2022, by the Academy of American Poets.

Friday, March 11, 2022

Poem for 3/11 - It Is Marvellous... by Elizabeth Bishop

 It Is Marvellous . . .

by Elizabeth Bishop

 

It is marvellous to wake up together

At the same minute; marvellous to hear

The rain begin suddenly all over the roof,

To feel the air clear

As if electricity had passed through it

From a black mesh of wires in the sky.

All over the roof the rain hisses,

And below, the light falling of kisses.

 

An electrical storm is coming or moving away;

It is the prickling air that wakes us up.

If lightning struck the house now, it would run

From the four blue china balls on top

Down the roof and down the rods all around us,

And we imagine dreamily

How the whole house caught in a bird-cage of lightning

Would be quite delightful rather than frightening;

 

And from the same simplified point of view

Of night and lying flat on one's back

All things might change equally easily,

Since always to warn us there must be these black

Electrical wires dangling. Without surprise

The world might change to something quite different,

As the air changes or the lightning comes without our blinking,

Change as our kisses are changing without our thinking.